NINA combines the tactile and sonic qualities of classic analog synths with modern functionality, patch recall and automation.
NINA’s motorized controllers.
At Melbourne Instruments, we have developed our own* motorized controller to replace the potentiometers in a traditional synth.
Our design is based on a brushless drone motor with our own ultra-hires optical sensor.
The brushless motor and contactless optical sensor are extremely robust with a lifetime rating in excess of 50 million cycles, which is 500 times more than conventional pots.
*patent pending
Feel the difference.
Our motorized controllers bring a new level of tactility to the user experience. The result is the feel, subtlety and precision of a real analog potentiometer, while having instant recall and haptics.
With haptics our knobs can change dynamically from smooth to detented to multi-position switches. The end experience is far more useful and engaging than a standard analog pot.
Features
- 12 Voice Polyphony.
- Fully analog signal path.
- Motorized recallable and automatable control panel using long lasting zero wear encoders with the feel and precision of analog pots.
- Variable shape triangle oscillators. Continuously morph wave-shape between triangle and sawtooth to find new timbres. Different to a traditional blend.
- 4 pole transistor ladder VCF with modulatable resonance.
- Huge voice-level filter overdrive.
- Digital Wavetable Oscillator.
- Sampling capability.
- Deep Modulation Matrix. 16 sources to 27 destinations.
- Patch morphing for complex expressive effects.
- Stereo 4 Quadrant VCAs with Infinite Panning effects.
- Onboard digital effects.
- Multitimbral, layered, split, or overlapping.
- Hackable Open Source software built on a powerful Raspberry Pi 4 running Elk Audio OS.
Connectivity
- 4 x assignable combo audio + CV inputs, including 1 Mic.
- Connect class compliant USB MIDI controllers directly.
- Connect NINA as a class compliant USB MIDI and audio device for direct automation and integration with a DAW.
- Standard DIN MIDI IN, OUT, and THRU.
- 4 x assignable line outputs.
- Headphone output.
Key features
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12 Voice, 4 part Multitimbral
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Motorized, recallable, automatable, assignable, and robust high resolution control panel
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Complete & quick to edit modulation matrix
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2 VCOs per voice. Selectable second oscillator (VCO or FPGA)
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Patch morphing
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Onboard effects
Specifications
Oscillators
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3 Oscillators per voice. 2 Analog VCOs, 1 Digital Wavetable.
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Oscillator 2 can be analog or FPGA.
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Oscillator 1 & 2 with waveforms morphable between triangle to sawtooth and PWM square-wave.
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Sub octave mode for VCO 1 square wave.
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Hard Sync Oscillator 2 from VCO 1.
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Fine & Course tune control with up to 8 octave range.
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96kHz 24bit Wavetable Oscillator Resolution.
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User loadable Wavetables.
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Selectable Fuzz & Noise sources - Pink, White, Oscillator 1 & 2 XOR (Fuzz).
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LFO with selectable shapes, through-zero modulatable rate & level controls.
VCF
Classic 4 pole transistor ladder VCF
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Modulatable resonance, available as a matrix destination.
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Extremely over-drivable, or perfectly smooth low noise modes.
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Dedicated control for Envelope to Cutoff modulation amount.
VCA
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Traditional ADSR envelope with ultra-fast slopes possible.
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Melbourne Instruments designed four-quadrant (through zero) VCA.
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Stereo: 2 VCAs per voice.
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Infinite panning.
Unison Polyphony
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Play up to 12 voices in unison or polyphonically.
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Mono Triggered and Legato modes.
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Selectable polyphonic panning schemes
Modulation
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Extensive modulation matrix. 16 sources to 27 destinations. No bus count limitation.
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Morphable modulation settings.
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Quick to edit MOD mode. Select a source and dial in amounts instantly on control panel.
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All MOD amounts are through zero (bipolar)
Patch Morphing
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Morph between patches to create new timbres.
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Morph entire patch including Modulation Matrix.
ADSR Envelope Generators
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2 x ADSR envelopes available as mod sources
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Modulate Attack, Decay, Sustain, Release, and Level using velocity or any other mod source
Multi-Timbral Layers
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Up to 4 layers for 4 Timbres controllable via MIDI channel and note ranges
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User selectable number of assigned voices per layer
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Optional linked note ranges across layers for quick keyboard splits & layering
Effects
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Upgradable VST3 effects algorithms built on an Open Source architecture.
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96kHz 24bit resolution
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Parallel or Series mix modes. Parallel mode retains analog sound.
Computer
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Hackable Open Source software built on a powerful Raspberry Pi 4 running Elk Audio OS.
Connectivity
Audio Out
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4 assignable line level outputs.
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Stereo main outputs with effects.
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Aux outputs (3 & 4).
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Headphone output.
Audio In
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3 TRS Balanced Line or CV Inputs.
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1 TRS/XLR Combo. Mic for line/CV input.
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CV +/-10V max. Analog gain and offset trim.
Physical
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Weight: 5.5kg (12.1lb)
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Dimensions (length x width x depth): 446mm x 230mm x 71mm.
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Solid metal construction.
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19” rack mount ears available.
1 Review Hide Reviews Show Reviews
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Amazing debut synth for new company! Can’t wait to see what they do next!!
To my ear, this is easily the best sounding. I have heard to date. Then the motorized knobs with brushless DC motors really tops it off. Props to Melbourne instruments.!